5 Lies Your Camera Likes to Tell - school
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5 Lies Your Camera Likes to Tell

Think your camera is your best friend? Think again.

Your camera is a marvel of amazing technology, but you still need to use your brain when you shoot. Even if you're in full Auto mode, don't assume your camera knows what's best for you!

Here are five common bloopers and how to avoid getting tripped up on your next shoot.

1) It's exposed.

Photos by Windermere Studios<br />
 <a href="http://www.windermerestudios.ca">http://www.windermerestudios.ca</a>

Photos by Windermere Studios
http://www.windermerestudios.ca

Your camera has several automatic metering modes to help you catch the right amount of light without you needing to whip out the calculator. But are you using the right one? Spot, center-weighted and multi-zone metering are great for many situations, so be sure you know which one is best for you.

For example, you may want to over-expose when shooting in situations like snow, to be sure you get that fluffy, clean white stuff you're used to seeing. No one likes gray snow.

Finally, let your artistic creativity be your guide. There's no shame in flooding your summer portraits with light or even leaving in a bit of flare if you're going for a sun-soaked, dreamy mood. Similarly, underexposing your shots is your key to super-dramatic clouds, abstract shadows and gritty street shots.

2) It's in focus.

Photos by Windermere Studios<br />
 <a href="http://www.windermerestudios.ca">http://www.windermerestudios.ca</a>

Photos by Windermere Studios
http://www.windermerestudios.ca

Despite the reassuring "beep-beep!" of your AF, there's still a lot that can foil your focus. The most common culprit is motion blur if it's too dark in the room. As a rule, you want your shutter speed to be at least 1/(focal length) for your shot to have a chance at being sharp. If it's not possible, try bumping up your ISO to compensate for lack of light.

Also, be sure you're focused on the right spot. If you're shooting wide open (low f-stop numbers) your depth of field gets smaller, meaning it's easier to accidentally focus on your subject's nose, not their eyes. We love bokeh as much as you, but missing the focus can make or break a perfect portrait.

3) You can keep on shooting.

Photos by Schmootography<br /> <a href="http://photos.schmootography.com/">http://photos.schmootography.com/</a>

Photos by Schmootography
http://photos.schmootography.com/

Your camera's telling you your memory card can hold 386 more shots, but did you know this may not be the case? The size of each photo file you shoot depends on the data in each, which usually translates to how busy your pictures are. A zen, monochrome ocean scene makes a smaller image file than a colorful fisheye of Times Square. So be aware if you're worried about space on your hard drive, or on your memory cards.

When in doubt, pack extras.

4) You're a great/horrible photographer.

Photo by Ana Pogačar Photography<br /> <a href="http://anapogacar.smugmug.com/">http://anapogacar.smugmug.com/</a>

Photo by Ana Pogačar Photography
http://anapogacar.smugmug.com/

"Great shot! What camera was that?" 

We're sure you've heard this before but contrary to popular belief, the camera doesn't make the image. YOU do. You don't need to upgrade your equipment just to run with the big dogs, and top-of-the-line gear isn't carte blanche to the photographer's Hall of Fame. So be proud to carry your favorite camera into the field. As long as you know what all the buttons do and have a grasp of fundamental principles, you've got everything you need to take an awesome photo.

(Like the above shot, taken with a 4 megapixel Canon Powershot point-and-shoot.)

It's not the size of the ax; it's how you click it.

5) You're off the hook

Photos by Windermere Studios<br />
 <a href="http://www.windermerestudios.ca">http://www.windermerestudios.ca</a>

Photos by Windermere Studios
http://www.windermerestudios.ca

Even if you switch on your camera's auto modes (green square, Tv, Av), don't switch off your brain. Auto modes work most of the time to get you better shots with less fiddling, but they can also be fooled. Like when shooting in unusually bright scenes (snow), unusually dark scenes (backlit subjects) and when you want to freeze action.

Take that extra second to think about what you're shooting, the picture you want to get, and how best to make it happen. You can manually bump up or lower the exposure when using most automatic modes, so consider over- or under-exposing your scene to get what you want.

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